Molecular collisions. 15 - Classical limit of the generalized phase shift treatment of rotational excitation - Atom-rigid rotor

Generalized phase shift approach to problem of rotationally inelastic molecular collision

Molecular collisions. 16: Comparison of GPS with classical trajectory calculations of rotational inelasticity for the Ar-N2 system

Comparison of generalized phase shift treatment with classical trajectory calculations of rotational inelasticity cross sections of Ar-N2 scatterin

Chirality and Protein Folding

There are several simple criteria of folding to a native state in model proteins. One of them involves crossing of a threshold value of the RMSD distance away from the native state. Another checks whether all native contacts are established, i.e. whether the interacting amino acids come closer than some characteristic distance. We use Go-like models of proteins and show that such simple criteria may prompt one to declare folding even though fragments of the resulting conformations have a wrong sense of chirality. We propose that a better condition of folding should augment the simple criteria with the requirement that most of the local values of the chirality should be nearly native. The kinetic discrepancy between the simple and compound criteria can be substantially reduced in the Go-like models by providing the Hamiltonian with a term which favors native values of the local chirality. We study the effects of this term as a function of its amplitude and compare it to other models such as with the side groups and with the angle-dependent potentials.Comment: To be published in a special issue of J. Phys.: Cond. Mat. (Bedlewo Workshop

Using LDGM Codes and Sparse Syndromes to Achieve Digital Signatures

In this paper, we address the problem of achieving efficient code-based digital signatures with small public keys. The solution we propose exploits sparse syndromes and randomly designed low-density generator matrix codes. Based on our evaluations, the proposed scheme is able to outperform existing solutions, permitting to achieve considerable security levels with very small public keys.Comment: 16 pages. The final publication is available at springerlink.co

Unexpected impact of D waves in low-energy neutral pion photoproduction from the proton and the extraction of multipoles

Contributions of $D$ waves to physical observables for neutral pion photoproduction from the proton in the near-threshold region are studied and means to isolate them are proposed. Various approaches to describe the multipoles are employed --a phenomenological one, a unitary one, and heavy baryon chiral perturbation theory. The results of these approaches are compared and found to yield essentially the same answers. $D$ waves are seen to enter together with $S$ waves in a way that any means which attempt to obtain the $E_{0+}$ multipole accurately must rely on knowledge of $D$ waves and that consequently the latter cannot be dismissed in analyses of low-energy pion photoproduction. It is shown that $D$ waves have a significant impact on double-polarization observables that can be measured. This importance of $D$ waves is due to the soft nature of the $S$ wave and is a direct consequence of chiral symmetry and the Nambu--Goldstone nature of the pion. $F$-wave contributions are shown to be negligible in the near-threshold region.Comment: 38 pages, 13 figures, 19 tables. Version to be published in Physical Review

Efficient noninteractive certification of RSA moduli and beyond

In many applications, it is important to verify that an RSA public key (N; e) speci es a permutation over the entire space ZN, in order to prevent attacks due to adversarially-generated public keys. We design and implement a simple and e cient noninteractive zero-knowledge protocol (in the random oracle model) for this task. Applications concerned about adversarial key generation can just append our proof to the RSA public key without any other modi cations to existing code or cryptographic libraries. Users need only perform a one-time veri cation of the proof to ensure that raising to the power e is a permutation of the integers modulo N. For typical parameter settings, the proof consists of nine integers modulo N; generating the proof and verifying it both require about nine modular exponentiations. We extend our results beyond RSA keys and also provide e cient noninteractive zero- knowledge proofs for other properties of N, which can be used to certify that N is suitable for the Paillier cryptosystem, is a product of two primes, or is a Blum integer. As compared to the recent work of Auerbach and Poettering (PKC 2018), who provide two-message protocols for similar languages, our protocols are more e cient and do not require interaction, which enables a broader class of applications.https://eprint.iacr.org/2018/057First author draf

Basis-independent methods for the two-Higgs-doublet model II. The significance of tan(beta)

In the most general two-Higgs-doublet model (2HDM), there is no distinction between the two complex hypercharge-one SU(2) doublet scalar fields, Phi_a (a=1,2). Thus, any two orthonormal linear combinations of these two fields can serve as a basis for the Lagrangian. All physical observables of the model must therefore be basis-independent. For example, tan(beta)=/ is basis-dependent and thus cannot be a physical parameter of the model. In this paper, we provide a basis-independent treatment of the Higgs sector with particular attention to the neutral Higgs boson mass-eigenstates, which generically are not eigenstates of CP. We then demonstrate that all physical Higgs couplings are indeed independent of tan(beta). In specialized versions of the 2HDM, tan(beta) can be promoted to a physical parameter of the Higgs-fermion interactions. In the most general 2HDM, the Higgs-fermion couplings can be expressed in terms of a number of physical "tan(beta)--like" parameters that are manifestly basis-independent. The minimal supersymmetric extension of the Standard Model provides a simple framework for exhibiting such effects.Comment: 56 pages, 5 tables, with Eq. (65) corrected (erratum to appear in Physical Review D

Gallery in the Cinema

Collection of essays by Felix Bernstein and Gabe Rubin, Bridget Crone, Adam Pugh, and Lucy Reynolds, exploring ideas around artists’ film and video in relation to their exhibition. These essays were commissioned in response to the Gallery in the Cinema initiative at Plymouth Arts Centre, led by its artistic director Ben Borthwick, which presented a programme of eight artists’ moving image works (listed on page 2) shown in the Centre’s cinema on a daily loop between 2016 and 2017. The exhibitions were placed between gallery exhibitions and gave artists the opportunity to show moving image works, which are often shown in a gallery environment, in a small high spec cinema space. Lucy Reynolds draws on the expanded cinema and “film sculpture experiments” of Filmaktion and others in the Structural film movement of the 1970s to move beyond the constraints of single screen mainstream cinema. Her essay, ‘Expanding Cinema: The Promise of the Gallery’, traces a trajectory from these histories to the contemporary gallery installations of Douglas Gordon’s 24 Hour Psycho and works by Pipilotti Rist. Adam Pugh’s essay, ‘Back to the Future’, critiques the polarization of cinematic culture that locates artists’ moving image at one end of the spectrum and mainstream film at the other, arguing that cinema needs to be a site of plurality that offers “unexpected encounters and unknown pleasures”. In ‘Curating Sensible Stages: Fabulation and an Artists’ Cinema’, Bridget Crone discusses the relationship between audience and moving image artwork—and the “space of encounter”—and reflects on what constitutes artists’ cinema both within and beyond the gallery. Artist duo Felix Bernstein and Gabe Rubin’s collaborative performance essay, ‘Repeatable Viewings’, critiques the variety of contexts within which today’s artists can present their film and video work, evaluating the role of curators, reviewing the venues, the composition of audiences and the milieux. We offer these essays both as exploration of the critical landscape for understanding contemporary artists’ moving image practice, particularly the modes of exhibition and reception, and as a way to mark Gallery in the Cinema, which unfortunately ended with the closure of the arts programme of the Plymouth Arts Centre due to the loss of Arts Council funding. Dr Anya Lewin and Dr Kayla Parker (eds.) Arts Research at University of Plymouth 202